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Because readers have different needs? Seems pretty obvious to me.


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Because you assume all humans see books for their same utility.

It's because the reader is only as good as the content and an open reader has limited content.

Because there is an audience who will buy that book.

Probably because the content in the book is worth the cost, not the medium.

Cause it makes the book sell.

I don't understand the existence of two markets here.

I may be simple-minded but I would have thought that people either want to read a book or they don't. But now is there really a market for people who want to read a book but only if that book's content is made different from what it actually is? (I'm worried if that's the case).


Because all books are created equal.

Because they might not know the modern books or because they might like the older books, except for 0.001% of their content.

They can promote a newer book that appeals to a larger audience and/or has better margins. Simple choices have to be made some how.

(2) could be solved by marketing the same book differently. I agree that (1) has value, and (2) has some value when classifying customers.

However, this thread started because many adult sci-fi and fantasy readers look down on YA books. That's the purpose for which I'd suggest that the distinction doesn't make much sense.


The author literally gives an individual reason why about half the books should be read by everyone and the other half by many based on their interests. What are your objections?

It's the exploit/explore tradeoff. In the cultural industries, most consumers (the majority of whom don't care to be more than that) prefer to exploit--that is, read or watch or listen to something very similar to what they already have--than explore.

We think readers should be a smarter crowd--and, thus, more upscale in their choices--than TV watchers and popular music listeners (as both groups comprise, roughly, the general population). This is possibly the case, but it seems to be cancelled out by the massive time investment involved in seriously reading a book: eight hours for a typical novel, as opposed to an hour for a TV show or 3 minutes for a pop song. The high cost of exploration means that the book world has the same problem and, unfortunately, the processes and people who are trusted to filter for quality, quite frankly, don't. Traditional publishers follow the market and "book buzz" is built from the opinions of highly influential non-readers.


Because most people don't read at all, or read BS (self-help books, how to succeed, cheap thrillers, 50 shades of gray...)

They understand the value to the reader, just not the value to the marketer. It's a pity the two interests aren't better aligned in this case.

Wouldn't that attract more readers?

Good question. I think Goodreads put a bit more emphasis on audience reviews and sentiment other than just trying to outright sell it.

But yes, the difference is not huge.


Why would a publisher narrow its target purchasing demographic preemptively?

At the end of the day, the point is book sales, not to actually make you successful (even if that’s the effect for some small slice of the people who actually buy it).


Because there are way too many books being written.

I would assume they picked the examples because it's singularityhub. Most of their readers are likely to be technology/gadget centric and a message about more tech centric activities was probably expected to resonate better than a message about something as "old fashioned" as reading a book.

Beside, be honest. What percentage of the population do you think actually spends more time reading books than watching TV and surfing the internet?

BTW: According to the US Bureau of Labor Statistics, watching TV accounted for more than half the total leisure time for Americans 15 years and older. (http://www.bls.gov/news.release/atus.nr0.htm)

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