Funny (and costly) story. My friend Stacey and I started a magazine. Midway through working on the first issue, we realized that we didn’t know a thing about publishing. So, we recruited a third co-founder.
That magazine eventually failed but I was hooked. I started paying her to help me and when her life got too busy, I started paying other editors.
Once I worked with one, I knew exactly what I was looking for so it’s been easy finding editors since. Without that experience, it would have been a lot of trial and error. For example, I can write very quickly. Because of this, I write far better when I work with an editor who really tears my work apart. If an editor sugar coats too much, draft+1 often ends up worse. But if they’re direct and try to hurt my feelings, draft+1 will be closer.
This models a good amount of reflection and humility. It's hard to take a rough critique. At least when it comes to code, there's an ultimate ~deterministic oracle (and style concerns can be respected or dismissed).
I vaguely thought I had a good bi-directional editor<->poet friendship during undergrad, but it fell apart over some personal issues. We've reconnected, but I ~lost my muse in the meantime.
I've also wondered a little if it'd be worth trying to form something on the spectrum from a little editor dyad to a tetrad for technical blogging.
It really depends. A very good competent friend can help you. For technical, at least adjacent, articles there are online pubs who will work with you so long as the content is at least ok. But no one is going to edit a book for you for free and a publisher has at least a middling high bar to take you on.
If you’re going with a friend, make sure they’re extremely good editors. I’ve become a good enough editor but still can’t do my friends’ writing justice. When I know people reasonably well, I understand how they communicate and find myself overlooking some grammatical quirks because I’m used to them. When I work with a near stranger, I can’t overlook anything - the piece either stands on its own or falls flat.
I’m only good enough so your mileage will vary if you’re friends with extremely competent editors. But if you work with a friend and your writing doesn’t improve, you may be working with too good of a friend.
Oh I agree with that. I've seen people in tears after editors have finished with going through their work. You don't need to be nasty of course but you do need to be merciless.
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